
HIFICRITIC 2020 - TOP 5 ALL TIME BEST DSD recordings include "The Window”
"...let's make it clear that the songwriter/guitarist not only produces great music, but also great sounding recordings, going his own way, with self-released albums that still set standards almost 2 decades on...
Not only that, he was also a DSD pioneer, recording The Window direct to the format, and in multichannel too, using an early version of the Sonoma DSD Workstation to capture the live acoustic sessions in eight channels. It’s another one of those recordings all about a realistic live sound of the musicians playing together, and can still induce a shiver with the absolute ‘you are there’ ambience, whether in stereo or 5.1 channels, and above all Elias writes ridiculously catchy songs and performs them with superb musicians." - HIFICRITIC 2020
This is the 24/44.1k Remaster for Download
Download the DSD Studio Source Master here:
https://davideliasmusic.com/dsd-masters
This sophmore SACD from David Elias is another blockbuster sound quality benchmark for audiophiles today. Reviewed initially by Stereophile as "Extraordinary" the live studio, minimal microphone and minimal tracks approach to audio verite comes through every song and every story in this collection. Remastered with MQA encoding (FLAC plays on all players) release in 2016.
Recorded direct to DSD on Sonoma using vintage Meitner ADC converters by Charlie Natzke. Mixed by Gus Skinas.
Contact the artist if you have any questions before purchase.
Open the PDF Booklet for Crossing here…
Download Includes 20-page PDF with Full Color Photos by Peter Buranzon (backstage, onstage), Notes, Lyrics
In November 2005 Jane Siberry invited David Elias & XING (pronounced ‘crossing’) to open her show at the San Francisco Great American Music Hall on O’Farrell St. downtown SF. The trio with David Elias (acoustic guitar, vocals, harmonica), Charlie Natzke (acoustic guitar, vocals), and Chris Kee (upright bass, vocals) had recently published what, in 2005 and still nouveau, was simply called a “Webcast”. They partnered through the recently established Apple Music iTunes online downloads. A very innovative interactive graphic music player with mouse-click controls was created using the webcast studio tracks and hosted online. Those studio tracks were released in 2005 on a Sketti Sandwich Productions DIY CD as “David Elias & XING”. The full 14 song studio master of that single morning session, engineered by Charlie Natzke directly to 8 tracks as DSD64 on Sonoma, was later mixed for stereo as DSD Wide by David Elias and mastered by Gus Skinas, then released in June, 2016 as “Acoustic Trio: DSD Sessions”. The DSD studio master is online to download at davideliasmusic.com. The PCM Remaster is available to hear or download on Bandcamp.
The all acoustic 3-part harmony trio had been appearing all over the SF Bay Area, from SF and East Bay down the San Mateo Coastal Hwy 1 coast as far as Santa Cruz. Regular shows were played at nefariously infamous places like The San Gregorio General Store, a roots home to many original Bay Area musicians and host of the annual Greenpeace Festival for several decades.
Performing from the GAMH stage in San Francisco was a welcomed opportunity to celebrate XING’s dedicated work at delivering pure acoustic sounds to live audiences. This trio would evolve to become David Elias & The CasualTees, a larger acoustic and electric band who captured audiences with their energetic soulful and always spontaneous renditions of Elias’s singer-songwriter styles, grafted from his roots in folk, bluegrass, country, rock/pop, R&B, celtic and other layers in between. They had the magnetic quality of simply having dangerously infectious fun onstage as they delivered spontaneous band inspired renditions of every song at every show. The first CasualTees were Charlie Natzke, Chris Kee, Peter Tucker, John Havard, Gary McArthur and Reid Dennis.
This is the second album release using the technique and tools developed by David Elias called Spectral Matching Mastering. Songs were mastered directly from the source DAT (16/44.1k) recordings captured off the GAMH soundboard during the show. The technique uses no 3rd party software/hardware/DAW/tools of any kind. It relies strictly on direct interaction with the open source ffmpeg and ffprobe bedrock tools for mastering.
The technique reverses the recording industry's stubborn habit of imposing steep brickwall filters on PCM masters as well as compression and other unnatural artifacts as far as the human ear and brain are concerned. The culprit behind the time distortions (smearing) and sound location confusion (pre-ringing echo) resuling in edgy D-i-G-iT-a-l sounding ear fatiguing results is the favortism given to the frequency domain at the expense of time distortion. Spectral Matching disowns rigid frequency perfection instead for the time domain using minimum phase linear filters and adhering much closer to the ambient nature of sound that reaches the human ear and brain.
As a result the original master/source is restored to the ambient air that existed when the recording was made, but typically gets masked, squashed, compressed with impulse echoes arriving before the pulse itself throughout.
All in all it makes for much more easy, natural, believeable listening. credits released July 12, 2026
All Songs by David Elias, ℗©2026, David Elias Music
David Elias: acoustic, vocal, harmonica
Charlie Natzke: acoustic, vocal
Chris Kee: upright bass, vocal




